“Retour au ciné - Earthset, L’Uomo Meccanico” is the cine-concert film produced by Earthset for the film "L’Uomo Meccanico", restored by the Cineteca di Bologna. A live performance that plays along with the film, one hundred years after its release, which once again recalls the close link between music and cinema, taking us back to the dawn of the seventh art.
Shot on February 12, 2021 at the Teatro Comunale di Bologna which shows all of its beauty by enveloping the show, the cine-concert film was made thanks to the contribution of the Emilia-Romagna Region, in collaboration with Ater Fondazione, and was produced by Fonoprint studios.
The title describes the film’s path, between cinema and music: from the 1921 film to Earthset’s soundtrack-music; then onto the cine-concert as a live show that the band played during the long 2019-2020 tour; and finally back to the cinema.
A path a message of hope in an era so marked by the pandemic crisis that is also a wish that cinemas may reopen.
Earthset
The project started in 2012, with Luigi (bass) Costantino (guitar) Emanuele (drums) and Ezio (vocals and guitar). Earthset translate into music a continuous state of alteration, evolution and dynamism through a non-linear structural composition, sharp and acid sounds, transitions between heavy distortions and limpid, clean sounds, generally cold psychedelic atmospheres disturbed by noise inserts. After their debut album “In a State of Altered Unconsciousness”, released on oct. 26th 2015, and the EP “POPISM”, released on march 17th 2017, they were assigned the mute film “L’Uomo Meccanico”(Italy-France 1921) during the Soundtracks 2018 project, sponsored by Corrado Nuccini (Giardini di Mirò) and Stefano Boni (Museo del cinema di Torino).
After that experience, in which they had the chance to work alongside musicians such as Nicola Manzan (Bologna Violenta/Ronin) and Tiziano Bianchi, “L’Uomo Meccanico - Live Soundtrack tour 2019” started, with the Cineteca di Bologna's partnership. The live soundtrack is a mix of the band’s more experimental attitude (aggressive noise, dissonant and disturbing sounds) with the melodic research that has always characterized their writing.
